Egypt: Abu Simbel – The Warning by Ramses II to All Travelers

11 11 2023

Abu Simbel stands tall as one of the ancient world’s most amazing achievements. Carved into a mountain, for thousands of years it has stood as an emphatic notification to all sailing north on the Nile that this is the border of Egypt, a powerful kingdom. And, during the 66-year rule of Ramses II, 4 giant statues of him informed all comers that this was his country.

It takes a 3+ hours drive south to reach the site from Aswan. It’s close to the border with Sudan. We departed from our hotel at 4:30 a.m., with boxed breakfasts from the hotel. The drive is very flat across Sahara scab land, dusty and rocky – not full of dunes. Little did we know that whilst we were away at Abu Simbel, a dust storm would overwhelm Aswan! But it was gone when we returned. The site sits next to Lake Nasser.

Ramses II cartouche

Before I delve into the fascinating ruins themselves, I think it’s important to tell you about the amazing modern-day achievements at Abu Simbel! In the mid 1960’s, impending completion of the Aswan High Dam threatened submersion of many important ruins including Abu Simbel. This site was considered so important to world history that UNESCO orchestrated a campaign to move the entire site away from the rising waters.

Re-assembled block by block

With such a gargantuan task, a multi-country effort spared no expense to move this monument. The entire mountain, with Abu Simbel outside and inside, was carefully mapped out, precision cut, with the location of each piece recorded, moved, and then re-assembled on higher ground. Today, visitors can witness this incredible achievement up close!

Abu Simbel overwhelms in how it comes into view. Visitors arrive behind the mountain. You can’t see the face. One must walk around the mountain, because it’s on the opposite side. So I got an up close view of the reconstruction.

Then, you view the enormous lake, and then, coming around, these 66-foot high seated likenesses of Ramses II carved into the mountain overwhelm the senses!

And that is only the first image one sees. There are lovely carvings of his lovely wife Nefertari. Her tomb, in the Valley of the Kings, is probably the most magnificent of all.

The site is intended as a warning to those coming to Egypt that they are entering a superpower capable of laying waste to armies of enemies. We took images of ourselves at the entrance.

The walkway just preceding the entry door is lined with further reminders of who is dominant here. For 40+ feet prior to entry, on either side, one passes scenes of those Egypt had conquered. Hittites on one side, and Nubians on the other. From what I could see, these Nubians did not look like Egyptians typically depicted on other ruins. And they are tied up and tied together.

Inside, one is immediately in the presence of more of Ramses II. Giant statues line the first hallway.

Every single square inch of wall space inside is covered with images. Scenes of gods, goddesses and the pharaoh.

Throughout Egypt, these scenes of the many deities are common, and they’re often associated with after-life rituals. Ancient Egyptians spent their entire lives believing that this life was nothing more than a temporary state on the way to the next world. And to make that transition, they needed to adhere to the lifestyle dictated by Maat. Maat was both a goddess, and a set of principles to live by. This seemed to pervade ancient Egyptian art, which for the most part doesn’t stray out of the bounds of standards set by the priests. However, there are a few times I glimpsed examples of illustrations by artists actually showing emotion, such as terror. Or action – and that was the case at Abu Simbel.

The wall art at Abu Simbel contains more proof of Ancient Egyptian super powers. Not just of the country but of the pharaoh himself. There, I could see the Pharaoh in action slaying a terrorized enemy soldier. Or taking down many enemies with his bow and arrow whilst riding a chariot.

Ramses II stomping on his enemies and slaying an enemy soldier!

Taking down several simultaneously. No mercy!

Above, leading a brigade of chariots. Abu Simbel is a must see in Egypt!





Philae: The Island Temple to Isis

2 11 2023

Our overnight train from Cairo to Aswan arrived about 9 a.m. I’ve experienced various 3rd World overnight trains. In Vietnam, Thailand, and now Egypt. All three had the end-of-the-car restroom and toilet, which, when one opens the lid, the wind rushes up and the railroad ties fly by below. I’d rank Thailand 1st, Egypt a distant 2nd, and Vietnam 3rd. This one was a 1950’s Soviet bloc built version. The cabin had double windows, which partially filled in with Sahara sand. It was stop and go all night. We weren’t completely rested, but we were ready to tuck into our riverside hotel in Aswan and head out to visit Philae Temple.

We had maybe 90 minutes to settle into our rooms. Once showered, I took time to sit out on the balcony. Watching the scene of the Nile, lined with palms, fellucca dhows lazily sailing, a dry, gentle breeze, and unhurried traffic, I knew Aswan agreed with me. It is a scene from Hollywood-and yes, it really is a scene from Hollywood! 1978’s Death on the Nile was filmed right here!

Today’s highlight was exploring the Isis Temple at Philae. It must be reached by boat. Once underway I was simply blown away at the sight of a beautiful, huge temple on the water with palm trees all around!

Philae is a reconstructed temple. It was originally on a lower island, which was submerged when they built the Aswan Dam. It was so important that UNESCO disassembled block by block and then reassembled it on this current higher elevation island. It is dedicated to Isis, one of the most important Ancient Egyptian deities. She was both brother and wife of Osiris, and mother of Horus. She was a goddess of magic, healing, and motherhood. It was believed she could bring the dead to life, as she did in the epic tale of Set-Osiris-Horus. She was one of the most popular goddesses during the Roman era. Archeologists date the earliest construction of the temple around 360 BCE. It is of the Greco-Roman period.

I was very impressed! Many scenes of kings and gods and goddesses. Around the side, there is a much smaller temple dedicated to the goddess Hathor. She was the goddess of women, love, sensuality, dance and music. On its walls there are carved images of harps, flutes, and a stringed instrument being played.